Virginia Overton at Kunsthalle Bern via Mousse/not shaking the grass:
“I don’t think of them as tricks in any way; it’s not a funhouse. My hope is that the experience of the work is physical, but also objective. The pieces are what they are.”
ALSO: Untitled (2010), Untitled (2012), wood and sheetrock mud:
ALSO ALSO: Untitled (2009) by Kilian Rüthemann:
Black sand and resin columns by Lisha Bai. ALSO: Katsuhiko Narita charcoal columns. ALSO ALSO: Lee Bae, Untitled (2000), charcoal and elastic string:
Roula Partheniou, from top: Pegboard Constellation (2013), Cigarettes on Blue Foam, detail (2010). Via MKG127 via Sight Unseen.
Earthenware cylinders by Lauren Mabry.
Found sea flotsam and man-made detritus, part of “Flotsam GIF Shop” at Struts Gallery by Tegan Moore. ALSO: This article about the Great Pacific Garbage Patch.
12-volume, 2,450-page book with the name of every nuclear bomb detonation in the world, ever, by Andrea Pinheiro.
Paintings by Meghan Petras.
Paper collages by Ambrosine Allen: View from an Isolated Point (2012), A Broad Tract of Fresh Water (2012), On the Exposed Coastal Edge (2012) via Flaunt:
“A world that shadows our own but presents an alternative evolution.”
Stickerfoil on marbleplate (I like both those words) by Noem Held.
No better reason to share something than that you were feeling really bummed out, and it lifted you. From “Celestial Terrestial” series by Elena Stonaker.
Kites by Anna Rubin via Airworks Studio/Drachen Foundation:
“I had always been scared that if I changed the form too much it wouldn’t fly. But . . . I suddenly realized that you can actually build anything. As long as you are careful about the horizontal spar, it will still fly.”
My latest guest post for Need Supply, on poet Steve Roggenbuck. ALSO: Paletas.
Designer Marzia Chierichetti‘s home in Kenya via Pia Jane Bijkerk. ALSO: this furniture from her line Be Clever.
Amazing collection of flatware from Bauer Design Collection via Mondo Blogo. From top: Shozo Toyohisa for Nobile Produzione (1990), Sola (1952), Svend Siune for Georg Jensen (1965), Robert Wilhite for Bissell & Wilhite (1990).
These images of cheese by Pthograhpies via Present & Correct.
Acne acetate leather-lined clutch at Creatures of Comfort.